Telugu    Feb 26, 2010 (India)  

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Kalavar King is a 2010 Indian Telugu romance film released on Feb 26, 2010. The film is directed by Suresh, produced by D. S. Rao under banner named Sai Krishna Productions.

"Kalavar King is a comedy entertainer movie produced by Chandrasekhara Rao and Dammulapati Srinivasa Rao under the banner of Sai Krishna Productions and presented by Dhanalakshmi Productions.

Kalavar King directed by popular Tamil director L. Suresh and starring Nikhil of ‘Happy Days’ fame and Swetha Basu Prasad of ‘Yuvatha’ fame in the lead roles, Kalavar King is all about father and son relationship.

The movie is set in the backdrop of city and the hero is someone who has no iota of thought for studies or family. All he knows is tricking people. Kalavar King shows what happens when such a youth falls in love.

Nikhil is playing a naughty role and comedians like Ali, Venumadhav, Dharmavarapu, Raghubabu will be seen. Kashi Vishwanath, seen playing father's role in some films is also playing a character in the film."


Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier.
Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier.
Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier.
Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier.
Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier.
Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier.
Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier.
Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier.
Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier.
Kalavar King falls into that class of movies whose key redeeming feature is their second-rate-ness. Not wanting to be sucked into the deep sticky marshes of mediocrity, however, Kalavar King resorts to one last try to win audiences' hearts in the last 20 minutes - bounce a fruit off Shweta Basu's half-covered bosom. Thrice, in case you're missing the point. No, it's not a sleazy movie, and neither is it an offensive one; it's just an anesthetizingly dull flick. The movie opens with Rajesh (Nikhil) trying to smuggle Shruthi (Shweta Basu Prasad) out of a forced wedding with a villain Shetty (Ajay), someone who's several generations short of man's advent into civil thinking. The rest of the movie is about what led to this state of affairs. Rajesh was a compulsive defaulter back then, and owed obscene amounts of money to most of his village. When Shruthi, a random girl from his town, lost her gold chain in his home, she went berserk because it was gifted to her by her psychopathic bava, the Shetty who was introduced to us earlier. Check out this page for more updates on Kalavar King.

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