Miley Naa Miley Hum Movie Reviews

Daddy (Kabir Bedi) wants his son to be tennis player and more importantly marry his best friend's punjabi kudi. Mommy (Poonam Dhillon), on the other hand, wants son to be a rich business tycoon and marry her best friend's London returned fashion designer daughter. Insecurities arise between the separated couple and the drama turns into a dad versus mom warfare. What does Chirag do then? He simply looks across the road, finds a billboard featuring

Don’t really go looking for logic or something new in here. And don’t even go looking for some high end drama.

All in all, a predictable romantic film with fun and laughter, but good acting put forward by actors and an entertaining script makes it a worthy catch this weekend.

Generally, a film designed as the launch vehicle for a new face always happens to be a love story. But romance is merely one chapter in MILEY NAA MILEY HUM. It's all about a son's tryst to bring his estranged parents together, in this case. Besides, writer-director Tanveer Khan integrates a sport [tennis] in the plotline, which, frankly, sets the film apart from the customary prem kahanis. MILEY NAA MILEY HUM may not be the most engaging movie, but it has moments

On the whole, MILEY NAA MILEY HUM is an absorbing fare with decent merits. A light-hearted entertainer that’s an easy watch.

It’s all too pretty, too predictable and too soft and gentle to make a lasting impact.

Kangna Ranaut, her mangled accent aside, is the only bright spot in 'Miley Naa Miley Hum', a film so dreadfully dull, you'll have to check your pulse when the lights come back on to find out if you're still breathing. She stars as a scatterbrained struggling model (never mind that swanky home!) who accepts a rich scion's offer to spend 20 days pretending to be his girlfriend in exchange for big money. The gentleman in question, played by newcomer Chirag Paswan

Miley Na Miley Hum is a film where nothing works, and nobody benefits (that is, if you don’t count random product-placements).

The kindest thing I can say about ‘Miley Naa Miley Tum’ is that it is not a disaster.

Like the story line and the performances, the dialogues are average too. Overall, watch if desperate, but taking a pillow along won’t be a bad idea.

How many times must a debutant hero emerge from the same screen, to repeatedly announce his arrival: The one here first gets out in slo-mo from a BMW (first shot), then out of a chopper (to meet his mother), on a Lexus convertible (that his mother gifts him), bang in the middle of a wedding dance party (in a village), into the tennis stadium (where he plays the National finals)…. The boy is called Chirag – in life, as in this movie

There seems to be a covert agenda on why producer Anuj Saxena would invest on the film's male lead. Chirag Paswan lacks screen presence so much so that you disregard him from the frame and take more notice of the in-film brand endorsements in the backdrop, which includes Saxena's pharmaceutical lineup. Chirag (Chirag Paswan) happens to be the blue-eyed boy of his father ( Kabir Bedi) and mother (Poonam Dhillon), though his parents have separated years ago

There's a beautiful dialogue mouthed by Kangana Ranaut's manager in MILEY NAA MILEY HUM. It goes like this: 'Jaa ke mil lo usse, pata chale scene ke peeche story kya hai.'(You go and meet him; atleast we will know what the story behind the scene is). This gem of a line is the only bright spot in this arduous journey, which incidentally is a launch vehicle for another politician's son, Chirag Paswan, son of Ram Vilas Paswan. At the end of the film, you are tempted to ask

Miley Naa Miley Hum review by Komal Nahta. Biz rating: 0.5/5 star. What's Good: Kangna Ranaut's acting; the music....