Soch Lo Movie Reviews

Don't be fooled by the banal title, which says nothing and even puts you off with its diktat: Soch Lo. And don't miss the complete absence of hype and marketing. Because, this one's completely different from the run-of-the-mill Bollywood film. And that is why it grabs eyeballs. From it's first few frames to its twist-in-the-tale climax, the film offers you enough masala to keep the minutes ticking....Like, a story that unfolds like a thriller; a bunch of actors

A shirtless injured man lying helpless in a barren desert. We don't know who he is, how he got there, or what he would do next. All we can do is wait for him to make a move and follow the camera. Soch Lo's opening frame catches your attention instantly with its unique beginning. With time we are told the man is an ex-army officer with a troubled past. After bumping into three strangers on the highway, out of which one (Barkha Madan) agrees to help him

Soch Lo is the kind of indulgent, independent cinema that is best avoided. A futile, bleak story, written and directed by the hero himself, Sartaj Singh Pannu, the film is just a meaningless exercise in vanity. Amateurish in large parts, clumsy in others, unintentionally hilarious elsewhere, the film is full of bad actors who ham their way through a stretched, tedious plot. A bruised and bloodied man wakes up in the desert, with no memory of who he is

SOCH LO is a disaster. And you don’t need to think too much to arrive at this conclusion.